High Noon
The clash of Old and New Hollywood, Part Four.
Brian C. Anderson
This year's Oscars reinforced for many Americans the view of Hollywood as the land of obdurate limousine liberalism. Four of the five best picture nominees were self-consciously "progressive" films: Good Night, and Good Luck (on fighting McCarthyism); eventual winner Crash (on how everyone is racist); Munich (on how fighting terror militarily just unleashes greater terror); and Brokeback Mountain (celebrating gay cowboys in love). Off screen, of course, Hollywood's elite has campaigned nonstop against the Iraq War and the Bush administration.



























